| Issue | Title | |
| Vol 1, No 1 (2004) | A Question of Standards: "My Funny Valentine" and Musical Intertextuality | Abstract |
| Alan Stanbridge | ||
| Vol 3, No 2 (2008) | Afraid of Technology?: Major label response to advancements in digital technology | Abstract |
| Aaron Robert Furgason | ||
| Vol 2, No 2 (2007) | Allusion and Influence in Elvis Costello | Abstract |
| Dai Griffiths | ||
| Vol 1, No 1 (2004) | Archiving Ugandan Popular Music | Abstract |
| Joel Isabirye | ||
| Vol 2, No 1 (2007) | BBC rock music programming on radio and television and the progressive rock audience, 1967–1973 | Abstract |
| David Simonelli | ||
| Vol 3, No 2 (2008) | Benjamin Wardhaugh, Music, Experiment and Mathematics in England, 1653–1705. Farnham, Surrey: Ashgate, 2008. 209 pp. £55.00. ISBN 978 0-7456-6526-7 (hbk) | Details |
| Bruce Johnson | ||
| Vol 2, No 3 (2007) | Book review of In Search of the Blues: Black Voices, White Visions by Marybeth Hamilton | Abstract |
| Dave Laing | ||
| Vol 3, No 1 (2008) | Collections at the IPM | Abstract |
| Robert Strachan | ||
| Vol 1, No 3 (2004) | Conflict and collaboration: the press officer/journalist nexus in the British music press of the late 1990s | Abstract |
| Eamonn Forde | ||
| Vol 2, No 1 (2007) | Constructing an avant-garde: Australian popular music and the experience of pleasure | Abstract |
| Jon Stratton | ||
| Vol 2, No 2 (2007) | Constructing histories through material culture: Popular Music, Museums and Collecting | Abstract |
| Marion Leonard | ||
| Vol 1, No 3 (2004) | Critical negotiations: rock criticism in the Nordic countries | Abstract |
| Ulf Lindberg, Gestur Gudmundsson, Morten Michelsen, Hans Weisethaunet | ||
| Vol 3, No 1 (2008) | Diane Pecknold, The Selling Sound: The Rise of the Country Music Industry. Durham NC and London: Duke University Press, 2007. x + 294 pp. ISBN 978-0-8223-4080-5 (pbk). | Details |
| Dave Laing | ||
| Vol 1, No 1 (2004) | Diplomatic Notes | Abstract |
| Graham Carr | ||
| Vol 1, No 3 (2004) | Down beats and rolling stones:the American jazz press decides to cover rock in 1967 | Abstract |
| Matt Brennan | ||
| Vol 1, No 1 (2004) | Editor's Introduction | Abstract |
| Robert Strachan | ||
| Vol 3, No 1 (2008) | Freya Jarman-Ivens, ed. Oh Boy! Masculinities and Popular Music. London: Routledge, 2007. 304 pp. ISBN 0-415-97821 (pbk). | Details |
| Christine Adams | ||
| Vol 3, No 3 (2008) | Ghana and the World Music Boom | Abstract |
| John Collins | ||
| Vol 3, No 3 (2008) | Globalization and commercialization of Caribbean music | Abstract |
| Mike Alleyne | ||
| Vol 1, No 1 (2004) | Histories and complexities: Popular Music History Writing and Danish Rock | Abstract |
| Morten Michelsen | ||
| Vol 2, No 2 (2007) | Historiography and Complexities: Why is music ‘National’? | Abstract |
| Hans Weisethaunet | ||
| Vol 1, No 1 (2004) | History beings yesterday | Abstract |
| Paul Oliver | ||
| Vol 3, No 3 (2008) | Improvised performance in World Music: Finding the violin in unexpected places | Abstract |
| Jonathan Feig | ||
| Vol 1, No 3 (2004) | Introduction to the Special Issue | Abstract |
| David Laing | ||
| Vol 3, No 3 (2008) | Introduction to the Special Issue | Details |
| Tuulikki Pietilä | ||
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