Table of Contents
Editorial
Introduction to the Special Issue |
|
| Tuulikki Pietilä | 207-212 |
Articles
World Music and the global music industry |
|
| Dave Laing | 213-231 |
|
National versus regional, many versus few: The dilemma facing the collection societies |
|
| Phil Hardy | 233-246 |
|
Globalization and commercialization of Caribbean music |
|
| Mike Alleyne | 247-273 |
|
Ghana and the World Music Boom |
|
| John Collins | 275-294 |
|
Traditional music and the World Music marketplace: A producer’s experience |
|
| Joe Boyd, | 295-303 |
|
Improvised performance in World Music: Finding the violin in unexpected places |
|
| Jonathan Feig | 305-323 |
Resources
|
The Archive of Contemporary Music, New York |
|
| Andy Linehan | 325-327 |
Reviews
|
Nathan Wiseman-Trowse, Performing Class in British Popular Music. Basingstoke:Palgrave Macmillan, 2008. 208 pp. £50.00. ISBN 978-0-230-21949-6 (hbk). |
|
| Dave Laing | 328-332 |
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