| Issue | Title | |
| Vol 1, No 1 (2007) | Black, Brown and Beige and the politics of Signifyin(g): Towards a critical understanding of DukeEllington | Abstract PDF |
| George Burrows | ||
| Vol 1, No 2 (2007) | Being bop: how the press shaped the cult of bebop | Abstract PDF |
| Thomas Turner | ||
| The Source: Volume 1 (2004) | Burns, Baby, Burns: jazz history as a contested cultural site | Abstract PDF |
| Alan Stanbridge | ||
| The Source: Volume 1 (2004) | Checking our balances: Louis Armstrong, Ralph Ellison, and Betty Boop | Abstract PDF |
| Robert G. O'Meally | ||
| The Source: Volume 2 (2005) | Core and Boundaries | Abstract PDF |
| Scott Deveaux | ||
| Vol 1, No 2 (2007) | David Murray: the making of a progressive musician | Abstract PDF |
| Tim Wall | ||
| The Source: Volume 2 (2005) | Deconstructing the Jazz Tradition: The 'Subjectless Subject' of New Jazz Studies | Abstract PDF |
| Sherrie Tucker | ||
| The Source: Volume 1 (2004) | Editorial | Details PDF |
| Tony Whyton | ||
| The Source: Volume 2 (2005) | Editorial | Details PDF |
| Tony Whyton | ||
| Vol 1, No 1 (2007) | Editorial | Details PDF |
| Catherine Parsonage, Tony Whyton | ||
| Vol 2, No 1 (2008) | Editorial | Details PDF |
| Catherine Parsonage, Tony Whyton | ||
| Vol 1, No 1 (2007) | Failure to fuse: The jazz-rock culture war at the 1969 Newport Jazz Festival | Abstract PDF |
| Matt Brennan | ||
| Vol 2, No 1 (2008) | From Blues to Latin Just in Time: A rhythmic analysis | Abstract PDF |
| Eduardo Lopes | ||
| Vol 1, No 1 (2007) | Is jazz popular music? | Abstract PDF |
| Simon Frith | ||
| Vol 1, No 1 (2007) | Louis Armstrong loves Guy Lombardo! Acknowledging the smoother roots of jazz | Abstract PDF |
| Elijah Wald | ||
| The Source: Volume 1 (2004) | Making music together, or improvisation and its others | Abstract PDF |
| Nicholas Cook | ||
| The Source: Volume 1 (2004) | Miles from home: Miles Davis and the movies | Abstract PDF |
| Krin Gabbard | ||
| Vol 1, No 2 (2007) | Musical Genre Distinction and the Uniculture: A Reply to Simon Frith’s “Is Jazz Popular Music?” | Abstract PDF |
| Michael W. Morse | ||
| Vol 1, No 1 (2007) | No room for squares: A political economy of Blue Note records | Abstract PDF |
| Christopher May | ||
| The Source: Volume 1 (2004) | Reading around free improvisation | Abstract PDF |
| Jonty Stockdale | ||
| Vol 2, No 1 (2008) | Reconstructing the Jazz Tradition | Abstract PDF |
| Charles Hersch | ||
| Vol 2, No 1 (2008) | Review of 'Inside British Jazz' by Hilary Moore | Details PDF |
| Peter Martin | ||
| Vol 2, No 1 (2008) | Review: David Borgo, Sync or Swarm | Details PDF |
| Raymond MacDonald | ||
| Vol 1, No 2 (2007) | Robert Hodson Interaction, Improvisation, and Interplay in Jazz. New York and London: Routledge, 2007. | Details PDF |
| Matthew Butterfield | ||
| The Source: Volume 2 (2005) | Strictly on the Record: the art of jazz and the recording industry | Abstract PDF |
| Michael Cuscuna | ||
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