| Issue | Title | |
| Vol 1, No 1 (2007) | Black, Brown and Beige and the politics of Signifyin(g): Towards a critical understanding of DukeEllington | Abstract |
| George Burrows | ||
| Vol 2, No 2 (2008) | Attaining unity: Self-reference in the music of John Coltrane | Abstract |
| Marc Medwin | ||
| Vol 1, No 2 (2007) | Being bop: how the press shaped the cult of bebop | Abstract |
| Thomas Turner | ||
| The Source: Volume 1 (2004) | Burns, Baby, Burns: jazz history as a contested cultural site | Abstract |
| Alan Stanbridge | ||
| The Source: Volume 1 (2004) | Checking our balances: Louis Armstrong, Ralph Ellison, and Betty Boop | Abstract |
| Robert G. O'Meally | ||
| Vol 3, No 1 (2009) | Coltrane and Beyond | Abstract |
| Tony Whyton, Catherine Tackley, Vincent Cotro | ||
| The Source: Volume 2 (2005) | Core and Boundaries | Abstract |
| Scott Deveaux | ||
| Vol 1, No 2 (2007) | David Murray: the making of a progressive musician | Abstract |
| Tim Wall | ||
| The Source: Volume 2 (2005) | Deconstructing the Jazz Tradition: The 'Subjectless Subject' of New Jazz Studies | Abstract |
| Sherrie Tucker | ||
| The Source: Volume 1 (2004) | Editorial | Details |
| Tony Whyton | ||
| The Source: Volume 2 (2005) | Editorial | Details |
| Tony Whyton | ||
| Vol 1, No 1 (2007) | Editorial | Details |
| Catherine Parsonage, Tony Whyton | ||
| Vol 2, No 1 (2008) | Editorial | Details |
| Catherine Parsonage, Tony Whyton | ||
| Vol 1, No 1 (2007) | Failure to fuse: The jazz-rock culture war at the 1969 Newport Jazz Festival | Abstract |
| Matt Brennan | ||
| Vol 2, No 1 (2008) | From Blues to Latin Just in Time: A rhythmic analysis | Abstract |
| Eduardo Lopes | ||
| Vol 3, No 1 (2009) | Giant Steps, freedom won over / by constraint | Abstract |
| Philippe MICHEL | ||
| Vol 3, No 1 (2009) | Giant Steps, freedom won over / by constraint | Abstract |
| Philippe Michel, | ||
| Vol 3, No 1 (2009) | Intervallic Structuring in the Compositions of John Coltrane | Abstract |
| Ludovic Florin | ||
| Vol 1, No 1 (2007) | Is jazz popular music? | Abstract |
| Simon Frith | ||
| Vol 2, No 2 (2008) | John Coltrane | Abstract |
| David Liebman, | ||
| Vol 2, No 2 (2008) | John Coltrane and the integration of Indian concepts in jazz improvisation | Abstract |
| Carl Clements | ||
| Vol 3, No 1 (2009) | John Coltrane and the “replacement child” syndrome | Abstract |
| Bertrand Lauer | ||
| Vol 2, No 2 (2008) | John Coltrane as a composer | Abstract |
| Christa Bruckner-Haring | ||
| Vol 2, No 2 (2008) | John Coltrane: the work and its legacy | Abstract |
| Catherine Tackley, Tony Whyton, Vincent Cotro | ||
| Vol 1, No 1 (2007) | Louis Armstrong loves Guy Lombardo! Acknowledging the smoother roots of jazz | Abstract |
| Elijah Wald | ||
| 1 - 25 of 47 Items | 1 2 > >> | |
ISSN: 17538645