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Table of Contents
Editorial Essay
Film Studies in Musicology: Disciplinarity vs.Interdisciplinarity |
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| William H. Rosar | 99-125 |
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Silvestre Revueltas’s Redes: Composing for Film or Filming for Music? |
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| Roberto Kolb-Neuhaus | 127-144 |
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Mingus, Cassavetes, and the Birth of a Jazz Cinema |
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| Ross Lipman | 145-164 |
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Wavering Sonorities and the Nascent Film Noir Musical Style |
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| Roger Hickman | 165-174 |
Review Essay
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Against All Odds: The Decline and Resurgence of the Symphonic Film Score in Hollywood |
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| Helen Mitchell | 175-200 |
Westerns
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The Great Crossing: Nostalgia and Manifest Destiny in Aaron Copland’s The Red Pony |
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| Beth E. Levy | 201-223 |
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High Noon: Dimitri Tiomkin’s Oscar-Winning Ballad and its Russian Sources |
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| Ildar Khannanov | 225-248 |
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The Idyllic Sublime: A Dialog on the Pastoral Style in Westerns |
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| Michael Beckerman, William H. Rosar | 251-262 |
Reviews
Christian DesJardins. Inside Film Music: Composers Speak Los Angeles: Silman–James Press, 2003. [xxv, 358 p. ISBN: 1879505886. $ 20.95 (trade paper)] Index. |
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| Tony Fonseca | 263-265 |
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Dean Duncan. Charms that Soothe: Classical Music and the Narrative Film New York: Fordham University Press, 2003 [xiii, 211 p. ISBN: 0823222803. $26.00 (trade paper)] Communication and Media Studies, no. 9. Index. |
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| Christine Lee Gengaro | 267-269 |
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Philip Hayward, ed. Off the Planet: Music, Sound, and Science Fiction Cinema Eastleigh, Eng.: John Libbey Publishing, 2004. [vii, 214 p. ISBN: 0861966449. $24.95 (trade paper)] Music examples, bibliography, index. |
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| Kendra Preston Leonard | 271-273 |
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Roger Hillman, Unsettling Scores: German Film, Music, and Ideology.Bloomington: Indiana University Press, 2005. [xi, 219 p. ISBN: 0253345375. $50.00]Illustrations, bibliography, index. |
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| Paul A. Merkley | 275-277 |
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Kathryn Kalinak. How the West Was Sung: Music in the Westerns of John Ford Berkeley, Los Angeles, and London: University of California Press, 2007. [x, 256 p. ISBN: 9780520252349. $24.95 ] Music examples, illustrations, bibliography, index |
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| Tom Schneller | 279-282 |
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Charles Leinberger. Ennio Morricone’s “The Good, the Bad and the Ugly”: A Film Score Guide Lanham, Md.: Scarecrow, 2004. [xviii, 137 p. ISBN: 0810851326. $27.95. Scarecrow Film Score Guides, no. 3. Music examples, filmography, bibliography, index. |
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| Lori Stevens | 283-284 |
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David Morgan. Knowing the Score: Film Composers Talk about the Art, Craft, Blood, Sweat, and Tears of Writing for Cinema New York: HarperCollins, 2000 [xix, 313 p. ISBN: 0380804824. $15.00 Music examples, illustrations, appendix, index. |
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| Michael Remson | 285-287 |
ISSN: 1758860X